I do traditional papier mache sculptures, using newspaper strips and flour water paste. Paper is a wonderful medium to work with because its so versatile. I am finishing up a project now and will post some pictures when its completed as well as some of my older mache creations. If your interested check out my web site www.tnigro.blogspot.com I have several papier mache works on it.
I've just started experimenting with papier mache and was sent this link by my brother-in-law. I'm thinking of the possibilities as a spray-on, non-toxic coating to preserve the sculpture after painting.
Liquid spray on glass? I would love to know how that worked for you and if you don't mind - Where can I by it?
I love working with glass, fused mostly, and this product is so intriguing I would love to play with it. Thanks in advance.
"Liquid glass was invented in Turkey and the patent is held by Nanopool, a family-owned German company. Research on the product was carried out at the Saarbrücken Institute for New Materials. Nanopool is already in negotiations in the UK with a number of companies and with the National Health Service, with a view to its widespread adoption." Looks like it is still being tested in the UK and other European countries. Does not appear to be available for sale....yet. I can't wait to try it.
At the art school I attended, there was a paper making studio and I learned something about making paper, and the basic use of paper pulp for creating sheets of paper and molding it. Some artists just use old blenders to make paper pulp...
paper pulp is versatile...
Hi Marie. I saw a tv programme once about a couple of guys who made their own paper. The one main ingredient that they collected to put in there pulp was sheep poo! I kid you not. Along with straw and grass they made some wonderful paper which was the basis of there little cottage industry.
I use a blender to use up my paper off cuts, the sizing is already in it so I don't add anything else to it. [although maybe I should]. I usually make paper in the summer, I like adding flowers, or seeds, grass, twig, anything organic to it, and I typically make very thick sheets... like the substance of it. Primarily I use it for drawings... or just leave them as they are. I play with thoughts of reincarnation, silly maybe - but it works for me.
Two of our artists will be
showing at the Real exhibition in
Chelsea this month through
the connections they
made here at b-uncut.
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The Real exhibition has been set up by an organisation called Go Figurative that specialise in figurative art. Claudie Bastide and Carolyn Jordan got connected with the co-founders of Go Figurative through another b-uncut member, Thomas [...]
Slovenian art student Andreja Repnik brings a unique vision to the figure.
Seethingly torn and ripped limbs are reconstructed with fibre, wood and what could be coral. Her drawings arrest your attention and make you question the mutilation. At only 24 it’s clear what a promising future Andreja has ahead of her. Read on and you’ll [...]
A quiet revolution is under way in the art world. One that few expected and most missed because it’s on the Web: called b-uncut.
.
It was started in 2007 by a group of contemporary artists, led by Philip Letts, as a new kind of collective. One without borders. One bound by the Web. They’re vision was simple. To [...]